I also get ideas from
other writers/poets, in workshops and books. In fact one book on how to write
poetry by Matthew Sweeney set exercises and one exercise I did, called- ‘Fish
Bones Dreaming’ I fell in love with. It is funny, charming and clever. Using
his idea on the structure throughout the poem, with a chorus, I called mine-
‘Dinosaur Bones Dreaming’, actually I did two and I frequently go back to read
them.
I find art galleries
and museums useful for prompting ideas, I don’t necessarily feel I have to know
the artist, the object could be enough. But when you get somebody like-
Leonardo da Vinci and his pencil drawings coming to the Ferens Art Gallery in
Hull. I wrote down everything what was going on in his drawings and afterwards
went away with my writing pad full. I then put all that information on the
computer and I thought what can I do with this? There was lots I could do, I could have taken
the Oak Leaf he drew and wrote about oak trees around the country but I didn’t,
I decided to write about the limits of his drawing materials, considering his
time was the late 1400’s and early 1500c.
The language of the poem
gives it structure and it is just as important whether you have written two
lines or forty lines as it gives shape and style. That is where grammar and punctuation
play a big role in writing. Reading out loud is just as important as reading it
on paper.
Up to now I make this all sound simple, ideas
can come easily but not technique or vice a versa. Writing poetry is just as
important as Leonardo tried getting his chalk correct and using enough light
and shade. And the good thing about writing is I can of course at any time
write about oak trees around the country.